The "in Treatment" set does a good job of reflecting the journey of our protagonist, Paul. The artwork is abstract, and in a sense more complex and less easily understood than the previous artwork in his old office. The furniture is relatively new - There's the Crate & Barrel sofa and arm chair as well as a quintessential comtemporary reclining chair - very danish modern in style, but possibly ergonomically correct - It is new, and looks comfortable.
The curtains are a raw silk blend in a soothing burnt sienna - the walls are green, and the wood accents give the space a quiet serenity. The "smalls" have a organic and natural feel - There is not a lot of excess - except for the plethora of books - A few vases here and there.
There are also plants around the room, a symbol of growth, perhaps. Paul is changing , growing and so are his patients.
Gina's living room is a broad contrast to Paul's more austere surroundings. She is a woman of style who appreciates beauty and decoration. She has redecorated from last season - Her living room is painted a soothing but bold chocolate brown - And the creamy furniture is nicely silhouetted against the dark background.
She is complex too, of course. There are interesting African sculptures in her bookcase - a nod to Freud's interest in African Art and the subconscious. The monchromatic room is broken up by the strong orange throw on the couch - a beautfiul damask textile with fringe. The lamps create interesting vertical shapes behind the head's of the actors.
We will be spending a lot of time in this room as Paul has decided to go back to see Gina on a weekly basis. We will see how that works out...
Armchair analysis: The patients in the show represent the different facets of Paul's life and internal confilicts. More on this later.
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